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John Lobell – John David Ebert

Movies as Theoretical Narratives


Cinema discourse looks at current and classic movies from a literary point of view. We also have top movie reviews, current movie reviews, film ratings, movie blogs and movie history.
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John David Ebert’s Movie Review of Mulholland Drive

Comments

  1. jacques de beaufort says

    April 4, 2009 at 9:42 pm

    brilliant

  2. chad says

    April 4, 2010 at 7:45 pm

    I saw the Hollywood archetypes that you describe as I watched the film, but I also saw what appeared to be a film where the first three quarters were a dream/fantasy/hallucination and the last fourth being the actual real world. Diane/Betty fantasizes about a mysterious plot that casts someone else in a role she should have, when in reality the director simply favors or is having an affair with the Camilla/Rita character. All the other characters in the first 3/4 are seen or referenced in the last 1/4. I likened this to a dream-like narrative where the unconscious places people and events into roles and sequences that the conscious mind may not fully understand. This, to me is one of David Lynch’s specialties. He actually films the character’s unconscious activity. But cinematically he doesn’t fully reveal what he’s doing. There is no swirling screen effect plunging us down into a characters unconscious, or a hazy fog bringing us into another dimension. He uses POV shots and deafening sounds and silences instead, which are far more effective.

  3. Jason S. says

    November 28, 2012 at 6:28 am

    You should really keep these video movie reviews up on your own website if possible. Or at least have the transcripts.

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